I have a new prose poem called “Driving While Black” as part of Issue 3 of K’in Literary Journal. Please check it out and then take a read at all the diverse authors and poets that comprise this amazing issue.
Literature is incredibly important for personal growth. Many lessons we learn are from the books we read with characters that stick out to us in a special way. Set aside time to read some of the remarkable tales of women in literature, you’ll be astonished at some of the epiphanies you will takeaway to incorporate into your life.
If you are still looking to find some great lessons to learn from female figures, why not pick up a book with one of the best female literary characters! Redbubble.com has put together a list of 12 Lessons We Learned From Female Literary Characters including quotes and the messages we derive from those excerpts. We never stop learning if we never stop reading. Happy reading and learning, go women!
The quote that I used as kindle for my flame is: “Take chances, make mistakes. That’s how you grow. Pain nourishes your courage. You have to fail in order to practice being brave.”
For those who are looking for a little bit of guidance in finding a home for their poems, I have dusted off and reposted an awesome resource. Check out “How To Submit Poems To Literary Journals And Magazines” at Writer’s Relief. Follow these seven steps and you’ll find your work in the limelight in quick fashion.
What is The Secondhand Inspiration Project?
It’s a new mission I’ve developed over on Medium. Periodically, I pull together a post that starts with a motivational quote and goes wherever my musings lead. The idea was born out of my obsession with inspirational quotes and self-help books. This, mixed with a need to sometimes use prompts for my daily writing practice, sparked this initiative.
I already have several entries at Medium for The Secondhand Inspiration Project. My goal is to post some links to catch everyone up on this relatively new pet project. From there, I’ll be sure to update this blog after every new entry.
The first entry of The Secondhand Inspiration Project, Go Farther, was based on a famous quote by Wayne Dyer: "It's never crowded along the extra mile." Check out this post and just maybe it will provide you with a little secondhand inspiration.
The right words ignite a spark for change. They lead movements, challenge societal norms, and question authority. And when a writer decides to pen their stimulating thoughts onto paper, people read them over and over. Their books spread throughout the world, inspiring people to take new paths and introducing them to their unique perspective.
The books that have made the largest impact throughout history date back to the early ages of 1000 C.E. up to the dynamic modern era of the early 2000s. And people still flip through their pages, craving to absorb the timeless knowledge from each writer.
There are religious texts, like the Torah, the Quran and the Bible, then there are philosophical and political musings like The Communist Manifesto by Karl Marx and The Jungle by Upton Sinclair. Millions of people flock to grab a copy and align it with their values. Other books marked important steps towards international human rights, like Thomas Paine’s work of The Rights of Man.
Of course, the above mentioned are only a small sampling. Largest assembled this list of 25 powerful and influential books, so you can explore a host of other masterpieces that people still read today through their list.
Poets and writers are always looking for a way to “pop” and appear vivid against the blah backdrop of the internet. Creatives are attention whores – me included - and the only way to make an impression and find greater success is to stand out.
As part of my endless/obsessive pursuit of improvement, I discovered this new-ish article by Robert Lee Brewer about “five things author websites need to find more success.” There are some solid takeaways that both experienced and novice writers with websites can put into practice and find results. Enjoy.
Writers spend a lot of time focusing on the craft of opening lines. This is true for fiction, poetry, essay, and even speeches. But what about endings? Aren’t they important, too?
Of course they are. And in this piece from the Washington Post, Ron Charles gives some much-deserved love to some of the more impactful closing lines in literature.
It’s been a long time, I shouldn’t have left you…but I’m now back on the blogging horse, ready to ride again.
Though I’ve been silent on here, I’ve been showcasing my voice all over the place. I’ll slowly catch everyone up on my latest publications and new projects in the next few weeks on this blog.
First up – I want to announce my new-ish micro-chapbook of six poems called “How to Feel the Funk” published by the Origami Poems Project. So get down, get into the groove, and go get your electronic copy of this micro-chap here.
It’s not unreasonable to say that the number one problem most writers have is that they just don’t write enough. Writing, even professionally, is often treated as a side venture, or something that is inherently doable at a moment’s notice. The truth though is that it’s a skill, and like any other skill it must be practiced and nurtured to be its best. In other words, anyone fancying him or herself a writer needs to find a good excuse to write creatively and/or intellectually every single day. ‘'
Because of this, there’s actually a fairly strong market of prompt and exercise books aimed at writers. The thinking is that if you simply have an idea in front of you, you won’t have trouble putting pen to paper. As helpful as these books can be though, they’re not strictly necessary. With a little creativity you can come up with some daily exercises of your own, and help to ensure that you get at least a little bit of practice in every day.
A few ideas to get you started….
1. Just Write Titles
Sometimes you just don’t feel like you can get the words down to do anything substantial, and while some writers contend that you need to force through those times, there are other solutions as well. One is to simply write titles of things you’d like to write. It’s simple and quick enough that you can turn it into a daily exercise, even if that means just 10 or 15 titles a day - be they for stories, books, essays, or even films or songs. It’s not a robust writing exercise by any means, but it does activate that part of your brain, and it can give you some ideas of things to work on.
2. Go For A Jog, Write About It After
Writing just about a jog isn’t the most exciting thing in the world, but if you go running outside chances are you’ll see other people out, pass by interesting places, or even see animals or other elements of nature that intrigue you. These are the kinds of things that can inspire any writer, and it’s a worthwhile idea to practice your observational skills anyway. Throw in the fact that exercise can chemically stimulate creativity as well, and it’s actually an excellent way to put yourself in a writing mindset. A quick jog and then a series of stories or vignettes about the things you observed while out can be an excellent daily, or at least near-daily activity.
3. Play Daily Fantasy, & Write Up Recaps
This is an idea that will make sense to a lot of people who play fantasy sports, because some of the leading sites have started writing automated recaps of contests. You can turn this into your own exercise by turning to daily fantasy, which involves a range of contest styles but more importantly runs every day. That means with each and every night you can have a contest to recap creatively, the way a sportswriter might do it. It seems somewhat random, but the idea is to have something fresh to discuss and shape into written thoughts on a daily basis. Plus, if you’re a sports fan at all, it’s quite a lot of fun to do.
4. Find Launch Points
One of the most common writing practices out there is to base your work off of somebody else’s (provided you’re not intending to sell that particular work of course). You might pick up a favorite book, open to a random chapter, record the first few sentences and then close it and continue the story your own way, for instance. That’s just one example, but wherever you can find these “launch points” for a story, you should give it a shot. At a certain point, repetition - the act of writing a story every day, no matter how small - is the best practice.
5. Try A Dream Journal
There’s a lot of pseudoscience behind remembering, analyzing, and recording dreams. You can try different ways of remembering your dreams though, and if any of them work you can simply start writing about your dreams in the morning. Waking up an extra 15 minutes early (easier said than done, of course) gives you time to write a few words about what you remember or what you think about it, or even to write a little story about it. This is a particularly fun exercise if you can make it work, because it’s almost like your own brain is feeding you prompts.
Really, it all comes down to creativity and resourcefulness. There are many ideas beyond these that can lead you to daily writing in a very effective way. Just be sure to keep that pen moving day in and day out, and you’ll become a better writer for it.
Whether we admit it or not, we all make mistakes. This article by Kyle Massa on the ProWriting Aid website will help you correctly use some of the most commonly misused words. Full disclosure – I’m guilty of number two on this list, but now I know better.
When you get a chance, check out “Social Media Advice for Authors with Limited Time”. It’s an exceptional post from Crystal King on the Grub Writes blog that has a lot of useful tips. I bookmarked this resourceful article for future examination and use – and you might want to as well.
Improvement comes from practice & process. And when I think process, I focus more on editing rather than the writing itself. A clear process has helped me make consistent strides in my writing skills.
- Write first, then edit. I don't combine them or I'll run in place.
- Use spell check, but don't completely rely on it as a defense for errors. I have to recognize the difference between "pubic" and "public."
- Step away. I see screw-ups clearer if I let a piece "breathe" and then come back to proofread.
- Change viewing formats. For me, reading things on paper helps me catch more mistakes than on screen.
- Change locations. I often take the format change concept further by printing a piece and then reading it elsewhere. If it's a nice day, I print my work and edit it while outside. It may seem quirky but a location change can make a difference.
- Read aloud and change anything that sounds like gibberish. If I have to repeat something a few times to comprehend it, I usually tweak it to add clarity.
- Read all the way through. I consider things as a unit before I make sweeping changes. I also note where I repeat myself, then consider sprinkling in synonyms rather than overusing key words or phrases.
- Macro edit. I first consider the larger picture. Is there fluff that needs to be removed? Is key info missing? Does the piece flow? I try to get the big stuff right, then dive into the details. Otherwise, I’ll waste time carefully editing things that I’ll later cut.
- Micro edit. Once I'm broadly happy, it’s time to trim. People tend to use more words than necessary. So I pretend each word costs a dollar and I want to save money. I analyze the relevance of every sentence and each word. And I tweak sentences so they're using active voice whenever possible.
- Reread. Sometimes I accidentally edit in mistakes or delete key information. So I print again, move to another location and read aloud. Then I do all the steps again until I think it's polished.
- Spell check again - just in case. There are a lot of moving pieces when writing & editing. It would be foolish to believe these changes happen without a single misspelling.
I think real improvement can be found through stronger editing...and maybe that overall concept can work for you.
People, when they discover I’m a writer, often ask what I write about. I used to roll my eyes and explain how writers use everything as material. But I was thinking recently about the subject matter of various poems & stories either published or underway and what themes are at work.
- social issues
- discontented relationships
- entertainment and pop culture
- racial identity
- the blues
- urban legends
- inclement weather
- political unrest
- sports and exercise
- making ends meet
- marriage & domesticity
- love poems
- abandoned buildings
- the apocalypse
- the Midwest
- hip hop
Some subjects are barely projects, or unfinished stories that are underway but stalled out, and a couple things are just one or two poems into what I envision will be a longer series. I've also been thinking about the difference of approach when it comes to compilation (mixtape) books and project books and how the latter seems to be driven by intent from the start and the former slowly take shape during the process. But I suppose that's a blog entry for another day.
There are few things more quintessentially American than a road trip. The sheer size of the country, an abundance of connected highways, diverse regions and incredible landscapes of our national parks make a cross-country road trip the ultimate bucket-list experience. Discovery is ingrained in our culture. Recognizing that many Americans are descendants of immigrants who left their home countries, John Steinbeck wrote, “Every American hungers to move.”
Naturally, it makes sense that so many of us yearn for the open road. One might even say it’s symbolic: the vehicle being the visual representation of freedom, a drivers license the ticket and the route the destination. Road trips go far deeper than simply a travel experience, which is why literary lions like Tom Wolfe, Jack Kerouac, and John Steinbeck documented their adventures by car in the form of novels.
Inspired by some of the most popular travels in American literature. CarRentals created this guide to literary road trips. Only, instead of living these adventures through the pages of a book, they re-created the author’s routes to give us a list of road trips you can actually take.
Crafting conclusions to essays can be challenging. It takes skill to end on a good note and drive your points home one last time. It’s the final chance to impress and give readers understanding as to why your essay matters. The style of the conclusion that's most effective will vary depending on the tone and point of view of your essay. However, there are some key points that apply no matter what style of essay you're crafting.
A good essay conclusion restates, not rewrites your thesis from the introduction. It usually consists of three sentences minimum. And it concludes thoughts without presenting new ideas.
One standard structure I've used is to Restate, Review, Connect, and Combine (I remember it as R-R-C-C):
Sentence #1: RESTATE the thesis by making the same point with other words.
Sentences #2-4: REVIEW supporting ideas; summarize how they prove the thesis.
Sentence #5: CONNECT back to the essay's main premise and relate your closing statement to an opening thought; make it relatable to impress a reader and give them something to contemplate.
Lastly, COMBINE these sentences into a conclusion. Eliminate redundancy. Add a transition word or phrase to make it clear you're concluding. Just try to be more inventive than the standard "In conclusion..." or "In closing..."
There are pitfalls to avoid. Resist the temptation to write any new information; focus on summarizing the thesis and statements. Try not to share personal thoughts unless it's a first-person opinion piece. Don’t attempt to restate every detail - that's what the body paragraphs are for. And finally, don't use boring, mundane words. Choose concise but vivid language instead.
To end an essay in a strong manner, consider its type and audience. A conclusion is your last chance to impress readers. R-R-C-C can be effective, but don't be afraid to take a more creative approach if it presents itself...just avoid the pitfalls I mentioned.
If there is one thing that reflects a poet’s style, it is their usage (or non-usage) of line breaks. It may seem like a small factor, but line breaks can greatly influence the effectiveness and meaning of a poem. Which is why I found this discussion of line breaks over at Frontier Poetry thought-provoking. It discusses the three types of breaks and what goes into crafting a line of poetry. It is an interesting read.